The Octopus Print
Background of this project ...
It's time to do this one ...
Woodblock printmaker Dave Bull has been living in Japan since the mid-1980s. For the first 25 or so years of that time, he worked as an independent craftsman, carving and printing in the traditional Japanese manner, and distributing his prints to private collectors. In the early 2010s he decided to 'open up' both his life and work a bit and created the Mokuhankan workshop, a place where a newer generation of people could learn the old techniques from him, and which would publish prints by modern designers as well as reproductions of traditional designs.
The workshop has grown steadily since then. The Ukiyoe Heroes print series - begun in collaboration with US designer Jed Henry in 2012 - and which put pop culture back into the ukiyo-e world, has become globally famous, and served as the catalyst for many other print publishers to produce similar collaborations. The increased business for Dave and his team of young craftsmen made it possible to consider another major step for their business in 2014 - opening an actual shop in central Tokyo.
To assist Dave with the financing of that shop, he set up a Kickstarter campaign at the time, and the reward for the backers was a fresh new reproduction of Hokusai's iconic Great Wave print.
Since then, hundreds of people around the world have purchased the print from Mokuhankan, and many want to see more ... More specifically, many of the Mokuhankan collectors have suggested that the workshop make another of Hokusai's iconic images.
Hokusai created much work in the genre of shunga (erotic imagery), and one of his illustrations in particular has captured the imagination of the world in much the same way as the Wave; once you see it, you can never forget it:
Outline of the project ...
The print pictured above is a copy owned by a book-dealer friend of Dave's in Tokyo. He allowed Mokuhankan to take some high-quality scans of the image for use as a master copy for this new edition. Here is an outline of how the work has proceeded:
- Trace all the main lines of the design, as accurately as possible (working at 400+% enlargement in image editing software). At this stage, the two halves of the original were stitched into a single image.
- Print out the resulting tracing onto an extremely thin gampi paper, and paste this face down onto a new cherry block
- Carve this keyblock
- Proof the keyblock, and then transfer its lines to more fresh blocks, and carve the set needed to print all the colours of the image
- Proof-print the resulting block set, make whatever adjustments are necessary, and then begin pulling prints. All prints will be made on the famous Echizen Hosho paper from our primary supplier, the workshop of Living National Treasure Mr. Ichibei Iwano.
Price / Delivery ...
This will not be a 'Limited Edition', available to only a few people (at an inflated price). As with all Mokuhankan prints, this will be an open edition, with our costs thus amortized over a larger print run, keeping the price manageable. Although the carving on this one is very complex and detailed, making the key block printing difficult, the colour printing is a bit simpler than our Great Wave, so we're going to set the price at the same level: $135 (US).
Dave himself is going to be doing the printing on the initial batch (around 100 copies or so), and the blocks will then be turned over to the Mokuhankan staff for making further groups.
Printing Process
During late April of 2020, Dave will be blogging his progress through the printing of the initial batch, over on the Mokuhankan Conversations blog.
Thank you for your interest!